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Billboard magazine has published charts ranking the top-performing country music songs in the United States since 1944. The first country chart was published under the title Most Played Juke Box Folk Records in the issue of the magazine dated January 8, 1944, and tracked the songs most played in the nation's jukeboxes. [1]
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western.
Just four songs – five, if one counts "El Paso" by Marty Robbins, which spent five of its seven weeks at No. 1 in 1960 – ascend to the No. 1 spot on Billboard's Hot C&W Sides chart. Those songs – listed below – would spend 14, 14, 12 and 10 weeks at No. 1, compared to 10 No. 1 songs in 1959 and eight for all of 1961.
"Burning Bridges" is a song written by Walter Scott, and best known for its 1960 recording by Jack Scott, which was a #3 hit in the US. This was the only hit song for composer Walter Scott, who was no relation to Jack Scott. [1] [2] The song was originally recorded by a relatively obscure country act called The Home Towners in 1957, but did not ...
After Lolita and her Western Trio had a hit [citation needed] in the US with Seemann (Deine Heimat ist das Meer) she recorded a German version of El Paso which contributed to a long series of bi-national songs such as Wenn der Sommer Kommt and two songs which would top the U.S. country charts thirteen years later as performed by Marie Osmond ...
With its sweeping arrangement and unique lyrics, Harris fell in love with "MacArthur Park" and turned it into the almost 7 1/2-minute highlight of his 1968 album "A Tramp Shining."
BG8 It was a crossover hit, topping both the pop and country singles charts, one of only three songs to do so in the 1960s. The recording was nominated for two Grammy Awards in 1968: Record of the Year and Best Contemporary-Pop Vocal Performance, Male. [14] It was awarded Song of the Year in 1968 by the Country Music Association. [15]
[14] Liverpool Echo said the song "could have been written for her". [15] Robert Hilburn from Los Angeles Times wrote, "This is another country song, but O'Connor has redone the old Loretta Lynn hit in big-band fashion, turning it into a commentary on how obsession with material values can destroy a relationship. In the debate over O'Connor’s ...