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The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
Art historian Gao Minglu connects maximalism in Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the uncertainty of meaning ...
A maxim is thought to be part of an agent's thought process for every rational action, indicating in its standard form: (1) the action, or type of action; (2) the conditions under which it is to be done; and (3) the end or purpose to be achieved by the action, or the motive. The maxim of an action is often referred to as the agent's intention.
Didacticism is a philosophy that emphasises instructional and informative qualities in literature, art, and design. [ 1 ] [ 2 ] [ 3 ] In art, design, architecture, and landscape, didacticism is a conceptual approach that is driven by the urgent need to explain.
The field, which is mostly a sub-discipline of aesthetics, is defined by an interest in a set of problems, or an interest in central or foundational concerns in design. In addition to these central problems for design as a whole, many philosophers of design consider these problems as they apply to particular disciplines (e.g. philosophy of art).
However, according to Michael Shindler, the decorative art branch of the Aesthetic Movement, was less the utilitarian cousin of Aestheticism's main 'pure' branch, and more the very means by which aesthetes exercised their fundamental design strategy. Like contemporary art, Shindler writes that aestheticism was born of "the conundrum of ...
Universalizing a maxim (statement) leads to it being valid, or to one of two contradictions—a contradiction in conception (where the maxim, when universalized, is no longer a viable means to the end) or a contradiction in will (where the will of a person contradicts what the universalisation of the maxim implies).
Stairway of the Hôtel Tassel, an early example of Gesamtkunstwerk. A Gesamtkunstwerk (German: [ɡəˈzamtˌkʊnstvɛʁk] ⓘ, literally 'total artwork', translated as 'total work of art', [1] 'ideal work of art', [2] 'universal artwork', [3] 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so.