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Mobile disc jockey. Mobile disc jockeys (also known as mobile DJs or mobile discos) are disc jockeys that tour with portable sound, lighting, and video systems. [1] They play music for a targeted audience from a collection of pre-recorded music using vinyl records, cassettes, CDs, or digital music formats such as USB flash drives or laptop ...
Radio personalities who introduce and play individual selections of recorded music are known as disc jockeys or "DJs" for short. Broadcast radio personalities may include talk radio hosts, AM/FM radio show hosts, and satellite radio program hosts, and non-host contributors to radio programs, such as reporter
Club DJ Robert Hood Club DJ Ellen Allien at MAGMA festival 2006, in Tenerife, Spain DJ workplace in a nightclub, consisting of three CDJs (top), three turntables for vinyl records and a DJ mixer. A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience.
In 1935, American radio commentator Walter Winchell coined the term "disc jockey" (the combination of disc, referring to disc-shaped phonograph records, and jockey, which is an operator of a machine) to describe radio announcer Martin Block, the first radio announcer to gain widespread fame for playing popular recorded music over the air. [2]
Daniel started as a disc jockey at age seventeen on Armed Forces Radio with the US Navy. His first commercial job was at KXYZ in Houston in 1955 and he then worked at WDGY in Minneapolis before moving to WMCA in 1961. [2] [3] His first broadcast at WMCA was on August 18, 1961.
Voice-tracking, also called cyber jocking and referred to sometimes colloquially as a robojock, is a technique employed by some radio stations in radio broadcasting to produce the illusion of a live disc jockey or announcer sitting in the radio studios of the station when one is not actually present.
Nat D. Williams was the first African American disc jockey on WDIA in Memphis with his popular Tan Town Jamboree show. African American radio DJs found it necessary to organize in order to gain opportunities in the radio industry, and in the 1950s Jack Gibson of WERD formed the National Jazz, Rhythm and Blues Disc Jockey Association. The group ...
Compton used it to continue the freeform format he had pioneered at KRUX—hosting on-air shifts and hiring similarly minded disc jockeys such as Gary Kinsey (on-air name, Toad Hall) and Hank Cookenboo. [5] Initially housed in a small house on Camelback Road, KCAC quickly attracted a loyal audience seeking an alternative to Top-40 radio. [5]
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