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J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Bilbo Baggins (Westron: Bilba Labingi) is the title character and protagonist of J. R. R. Tolkien's 1937 novel The Hobbit, a supporting character in The Lord of the Rings, and the fictional narrator (along with Frodo Baggins) of many of Tolkien's Middle-earth writings.
His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" [T 2] led him to construct not only stories but a fully-formed world, Middle-earth, with languages, peoples, cultures, and ...
The Witch-king first appears in the Second Age of Middle-earth. The Dark Lord Sauron gave Rings of Power to powerful Men, including kings of countries in Middle-earth. These confer magical power, but also enslave their wearers to the owner of the One Ring, Sauron himself. [T 1] [T 2]
None are earth-shattering, but for the Tolkien completionist, they’re a welcome journey back into Middle-earth, and an opportunity to consider familiar events from a fresh perspective. $137.97 ...
A frame story is a tale that encloses or frames the main story or set of stories. For example, in Mary Shelley's 1818 novel Frankenstein, the main story is framed by a fictional correspondence between an explorer and his sister; [2] in One Thousand and One Nights, compiled during the Islamic Golden Age, the many stories are framed by a tale that Scheherazade keeps the king from executing her ...
The timeline is more complex than this would suggest, as many smaller-scale interlacings occur as the characters travel through Middle-earth. [8] [9] Interlacing allowed Tolkien to weave an elaborately intricate story, presented through the eyes of the Hobbit protagonists, "underscoring [their] frequent bewilderment and disorientation".
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.