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"The Toxic Waltz" is a song by American thrash metal band Exodus, released from the band's third album Fabulous Disaster (1989). Although the song was never released as a single, it is one of Exodus' best-known songs and has held a regular position on their concert setlist since 1989.
Fabulous Disaster was Tom Hunting's last release with Exodus until the 1997 live album Another Lesson in Violence. Additionally, it was the first Exodus album not to feature a lineup change from after one consecutive studio album, and one of two albums to include two song covers (the other being 1992's Force of Habit).
Tempo of the Damned marked Exodus' first full-length album of new material since 1992's Force of Habit.This is Exodus' first studio album to feature Jack Gibson on bass. This album is also the result of Steve "Zetro" Souza's return to the band, after Exodus reunited with Bonded by Blood-era lead singer Paul Baloff for the release of their live album Another Lesson in Violence in 19
After the success of Fabulous Disaster, Exodus signed a multi-album deal with Capitol Records in 1989. The band's fourth album Impact Is Imminent was released in June 1990. Despite being released on a major label, Impact Is Imminent was not as successful as Fabulous Disaster and debuted at No. 137 on the Billboard 200. [28]
Good Friendly Violent Fun is a live album by American thrash metal band Exodus. The performance on this live album was from the band's 1989 tour, but not released until two years later. The name is derived from a lyric found in the Exodus song "The Toxic Waltz", from the band's 1989 album Fabulous Disaster.
Exhibit B: The Human Condition is the tenth studio album by American thrash metal band Exodus.The album picks up after The Atrocity Exhibition...Exhibit A, continuing with long, epic songs (averaging around 6 minutes) with darker themes centered on war, death, society, politics and religion.
Nikki Glaser made history at the 2025 Golden Globes and took full advantage of her moment by poking fun at multiple celebrities in her monologue.
He added that the album "left little hope for the future, but incredibly, Exodus would rebound with excellent results on 1989's Fabulous Disaster." [3] Martin Popoff described the album as a "full-frontal, uncannily displayed, top-flight thrash" work, with some "daunting compositional sophistication" in it. However, he was not thrilled by the ...