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Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.
Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
José Honorato Lozano (1815 or 1821-1885) was a Filipino painter born in Manila.He is best known as the pioneering practitioner of the art form known as Letras y figuras, in which the letters of a patron's name is composed primarily by contoured arrangements of human figures surrounded by vignettes of scenes in Manila - an art form that may have derived loosely from illuminated manuscripts. [4]
Portraits included self-portraits, Filipino jewelry, and native furniture. Landscape paintings depicted ordinary Filipinos participating in daily life. The paintings, often ornately signed, were made on canvas, wood, and a variety of metals. [228] Watercolours were painted in the Tipos del País [231] or Letras y figuras style. [232]
The University of Santo Tomas Museum owns one of Asuncion’s paintings, dated February 1862. An unsigned portrait of Fr. Melchor Garcia de Sampedro at the UST Museum is said to be the work of Asuncion. Most of his other works are kept as national treasures at the Central Bank of the Philippines and the Philippines Museum.
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...