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Pound photographed in 1913 by Alvin Langdon Coburn. Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II.
In Paris he befriended Gertrude Stein, Ezra Pound, F. Scott Fitzgerald, James Joyce, Ford Madox Ford, Morley Callaghan, and John Dos Passos, [7] establishing a particularly strong friendship with Pound. [8] Pound's influence extended to promoting the young author, placing six of Hemingway's poems in the magazine Poetry. [8]
If This Be Treason ... is a 33-page booklet published privately in Italy in early 1948 by Olga Rudge, mistress of the American poet Ezra Pound. [1] [2] Pound, who lived in Italy with his wife from 1924 to 1945, was indicted in absentia for treason in 1943 by the United States District Court for the District of Columbia after he made hundreds of radio broadcasts, pro-Axis and deeply antisemitic ...
Opening page of the first American edition, published 1933. The Cantos is a long modernist poem by Ezra Pound, written in 109 canonical sections in addition to a number of drafts and fragments added as a supplement at the request of the poem's American publisher, James Laughlin.
A Lume Spento consists of 45 poems. [9]A Lume Spento is replete with allusions to works which had influenced Pound, including Provençal and late Victorian literatures. Pound adopts Robert Browning's technique of dramatic monologues, and as such he "appears to speak in the voices of historical or legendary figures". [5]
Pound subsequently refers to the parable in two essays: "The Teacher's Mission" [5] and "Mr Housman at Little Bethel". [6] Both were republished in The Literary Essays of Ezra Pound [7] and reference Agassiz without including details of the parable. "The Teacher's Mission" in particular provides a straightforward explanation of how Pound wished ...
Ezra Miller is the subject of a new Vanity Fair exposé, which looks at the 29-year-old actor's "dark spiral" over the past few years.More than a dozen people were interviewed for the lengthy ...
Hugh Selwyn Mauberley addresses Pound's alleged failure as a poet. F. R. Leavis considered it "quintessential autobiography." [2]Speaking of himself in the third person, Pound criticises his earlier works as attempts to "wring lilies from the acorn", that is to pursue aesthetic goals and art for art's sake in a rough setting, America, which he calls "a half-savage country".