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Download QR code; Print/export ... Hungarian film at the Internet Movie Database This film-related list is ...
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
العربية; Aragonés; Azərbaycanca; تۆرکجه; বাংলা; Беларуская; Беларуская (тарашкевіца) Български
Entered into the 29th Moscow International Film Festival: Töredék: Gyula Maár: Annamária Cseh, Mari Törőcsik: A londoni férfi: Béla Tarr: Miroslav Krobot, Miroslav Krobot: Film noir, crime film, art film: Entered into the 2007 Cannes Film Festival: Macskafogó 2 - A sátán macskája: Béla Ternovszky
Valami Amerika 2, EN: A Kind Of America 2: Hungarian film, sequel to: Valami Amerika 2009 Budapest: 2009 Iris: South Korean series (K-Drama) 2010 Iris: The Movie: South Korean film 2010 Pillars of the Earth: 2010 The Nutcracker in 3D: Vienna: 2010 Juan: 2010 La Rafle: 2010 The Debt: East Berlin, East Germany: 2010 Carlos (Carlos the Jackal) [5 ...
Hungarian Rhapsody (Hungarian: Magyar rapszódia) is a 1979 Hungarian drama film directed by Miklós Jancsó. It was entered into the 1979 Cannes Film Festival. [1] It won Golden Peacock (Best Film) at the 7th International Film Festival of India. The film depicts "a peasant revolt in Hungary in the early twentieth century."
As mentioned above, the Magyar Nemzeti Filmalap, [2] established in 2011, was one of the predecessors of the NFI, a Hungarian state organisation that provided support for the development, pre-production, production and distribution (marketing) of feature films, documentaries and animated films intended for cinema distribution. It also promoted ...
This is a list collecting the most notable films produced in Hungary and in the Hungarian language during 1901–1948.. While the first years of the Hungarian cinema were in its infancy with mostly experimental films and short comedic sketches mostly conducted by enterprising hobbyists, by 1940 a large industry grew out of their footsteps, with famed film star idols and film studios.