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Muṣḥaf al-tajwīd, an edition of the Qur'an printed with colored letters to facilitate tajweed. In the context of the recitation of the Quran, tajwīd (Arabic: تجويد tajwīd, IPA: [tadʒˈwiːd], 'elocution') is a set of rules for the correct pronunciation of the letters with all their qualities and applying the various traditional methods of recitation ().
The standard pronunciation of ج in MSA varies regionally, most prominently in the Arabian Peninsula, parts of the Levant, Iraq, north-central Algeria, and parts of Egypt, it is also considered as the predominant pronunciation of Literary Arabic outside the Arab world and the pronunciation mostly used in Arabic loanwords across other languages ...
In his book on Quranic Arabic and the reading traditions (open access in pdf format), Marijn van Putten puts forth a number of arguments such that the qira'at are not purely oral recitations, but also to an extent are readings dependent on the rasm, the ambiguities of which they interpreted in different ways, and that the readings accommodated ...
The Tilawa of the Quran is given in terms and meanings, because the Qira'at or recitation of the pronouncement of successive verses is part of the term following the accepted reading of Allah's Book.
The literal meaning of تَشْكِيل tashkīl is 'variation'. As the normal Arabic text does not provide enough information about the correct pronunciation, the main purpose of tashkīl (and ḥarakāt) is to provide a phonetic guide or a phonetic aid; i.e. show the correct pronunciation for children who are learning to read or foreign learners.
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The Quranic Arabic Corpus (Arabic: المدونة القرآنية العربية, romanized: al-modwana al-Qurʾāni al-ʿArabiyya) is an annotated linguistic resource consisting of 77,430 words of Quranic Arabic. The project aims to provide morphological and syntactic annotations for researchers wanting to study the language of the Quran.
The Qur'an (lit. recitation) is meant to be recited. Its verses are divided according to the rhythm of the language. The Qur'anic punctuation is, therefore, not only based on the structure or the syntax of the sentence, but also on the need to pause, for breath or for effect.