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Isabel Angelica Allende Llona (Latin American Spanish: [isaˈβel aˈʝende] ⓘ; born 2 August 1942) is a Chilean-American [6] [7] writer. Allende, whose works sometimes contain aspects of the magical realism genre, is known for novels such as The House of the Spirits (La casa de los espíritus, 1982) and City of the Beasts (La ciudad de las bestias, 2002), which have been commercially ...
The House of the Spirits (Spanish: La casa de los espíritus, 1982) is the debut novel of Isabel Allende. The novel was rejected by several Spanish-language publishers before being published in Barcelona in 1982. [2] It became an instant best-seller, was critically acclaimed, and catapulted Allende to literary stardom.
A Long Petal of the Sea (Spanish: Largo pétalo de mar) is a 2019 novel by Chilean author Isabel Allende. Originally published in Spain by Plaza & Janés, it was first published in the United States by Vintage Espanol. [1] The novel was issued in 2019 in Spanish as Largo pétalo de mar, and was translated into English by Nick Caistor and Amanda ...
Daughter of Fortune (Spanish: Hija de la fortuna) is a novel by Isabel Allende, and was chosen as an Oprah's Book Club selection in February 2000. It was published first in Spanish by Plaza & Janés in 1998. [1]
The Trump administration’s forceful separation of 4,000 immigrant children from their parents at the U.S. border remains an ongoing human drama. | Opinion
The Stories of Eva Luna (Spanish: Cuentos de Eva Luna) is a collection of Spanish-language short stories by the Chilean-American writer Isabel Allende.It consists of stories told by the title character of Allende's earlier novel Eva Luna.
Isabel Allende: Original title: El Bosque de los Pigmeos: Translator: Margaret Sayers Peden: Language: Spanish: Series: Las memorias del águila y el jaguar [1] (The Memories of the Eagle and the Jaguar) Genre: Fantasy novel: Publisher: Plaza & James Editores (Spanish version) [2]
Of Love and Shadows (Spanish: De amor y de sombra) is a novel written by Chilean novelist Isabel Allende in 1984. [1] The plotline was inspired by journalistic accounts taken from magazines, newspapers, and interviews that Allende herself gathered both working as a journalist in Chile before her exile and during her later career as a writer in Venezuela.