Search results
Results from the WOW.Com Content Network
From 1840 to the late 1870s, Dark Romanticism dominated literature and art. The primary element employed was symbolism. They would symbolize man's bad side and "study human nature's difficulties." Artists sought to show how evil, rather than virtue, consumes people, and how individual acts lead to self-destruction. [7]
The 1893 essay also mentioned the English writers Pater and Henley. A few years later adverts were placed for The Decadent Movement in Literature to be published imminently as a book in its own right. In 1896, an advert appeared in The Savoy, which Symons served as literary editor for and Leonard Smithers published. The advert, placed by ...
This can be reversed as a deliberate play on conventions, by having the evil character dress in white, as a symbol of their hypocrisy or arrogance. For example, Don Fanucci in The Godfather, Part II is an evil character, but wears an expensive all-white suit as a sign of his esteem, power and prestige.
Several attempts to define the neologism [3] grimdark have been made: . Adam Roberts described it as fiction "where nobody is honourable and Might is Right", and as "the standard way of referring to fantasies that turn their backs on the more uplifting, Pre-Raphaelite visions of idealized medievaliana, and instead stress how nasty, brutish, short and, er, dark life back then 'really' was".
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
Dark fantasy, also called fantasy horror, is a subgenre of fantasy literary, artistic, and cinematic works that incorporates disturbing and frightening themes. The term is ambiguously used to describe stories that combine horror elements with one or other of the standard formulas of fantasy. [1]
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Donald E. Thackrey referred to "There's a certain Slant of light" as one of Dickinson's best lyric poems for its force of emotion but resistance to definitive statements on meaning. [14] He likened it to Keats's "Ode to Melancholy," claiming that although it is less specific, it transmits the experience of the emotion just as effectively. [14]