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English: St Peter-In-Chains Cathedral, from the lawn of the Knights of Columbus, Council 798 316 Hunter Street West, Peterborough, ON This photo is of a cultural heritage site in Canada , number 1566
The Cathedral Basilica of Saint Peter in Chains is a Catholic cathedral of the Latin Church in the Archdiocese of Cincinnati. The basilica is a Greek revival structure located at 8th and Plum streets in downtown Cincinnati, Ohio in the United States. It is dedicated to Saint Peter's imprisonment and liberation.
The Cathedral of St. Peter-in-Chains is the cathedral church of the Roman Catholic Diocese of Peterborough, Ontario, and one of the oldest Catholic churches in Ontario. It is located at 411 Reid Street in Peterborough, Ontario, Canada. St. Peter's was designed by James Chevette in the Gothic Revival style. It was elevated to a cathedral in 1882.
Its episcopal see is the Cathedral of St. Peter-in-Chains in Peterborough, Ontario. On March 10, 2017, Pope Francis named former Hamilton Auxiliary Bishop Daniel J. Miehm as the new Bishop of Peterborough. [1]
"In Heaven (Lady in the Radiator Song)" (often referred to as simply "In Heaven") is a song performed by Peter Ivers, composed by Peter Ivers, with lyrics by David Lynch. The song is featured in Lynch's 1977 film Eraserhead , and was subsequently released on its 1982 soundtrack album .
Cathedral Basilica of Saint Peter in Chains: 325 Eighth St W, Cincinnati Dedicated 1845, it was the first large church west of the Allegheny Mountains; listed on the National Register of Historic Places St. Pius X: 1662 Blue Rock St, Cincinnati Dedicated 1879, originally known as St. Patrick's; listed on the National Register of Historic Places
Saint Peter ad Vincula (Saint Peter in Chains) alludes to the Bible story of the Liberation of Saint Peter, when the Apostle Peter, imprisoned by King Herod Agrippa, was rescued by an angel. Frequently seen translations are:
By 1991, Pixies refused to film music videos for their singles. After a long debate with Elektra Records, their record company in the United States, the band relented and agreed to film a video, as long as the song was done completely live. Peter Lubin, the A&R representative of Elektra at the time, later explained the situation: [8]