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The Briggs Banjo Method, considered to be the first banjo method and which taught the stroke style of playing, also mentioned the existence of another way of playing, the guitar style. [40] [41] Alternatively known as "finger style", the new way of playing the banjo displaced the stroke method, until by 1870 it was the dominant style. [42]
Clawhammer, sometimes called down-picking, overhand, or most commonly known as frailing, is a distinctive banjo playing style and a common component of American old-time music. The style likely descends from that of West African lutes, such as the akonting which are also the direct ancestors of the banjo.
Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style . It is named after Earl Scruggs , whose innovative approach and technical mastery of the instrument have influenced generations of bluegrass banjoists ever since he was first recorded in 1946.
The Keith style of playing the 5-string banjo emphasizes the melody of the song. Also known as the "Melodic" or "Chromatic style", it was first developed and popularized independently by Bobby Thompson and Bill Keith in the early 1960s. It is used primarily by bluegrass banjoists, though it can be applied to virtually any genre.
The banjo used in old-time music is typically a 5-string model [17] with an open back (i.e., without the resonator found on most bluegrass banjos). Today, old-time banjo players most commonly utilize the clawhammer style, but there were numerous styles, most of which are still used to some extent today. The major styles are down-picking ...
This was a mashup of a dozen banjo-playing musicians of all levels and abilities, mixed in with an audience of music-loving tourists, all packing together the same bus to explore the Emerald Isle ...
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