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Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly covered in cat or dog skin or a synthetic skin. [a] The strings, which are of different thickness, are plucked or struck with a tortoise shell, ivory or synthetic ivory pick.
In Carlo Forlivesi's composition for shakuhachi and guitar "Ugetsu" (雨月), the performance techniques were remarked as "[presenting] notable difficulties in a few completely novel situations: an audacious movement of 'expansion' of the respective traditions of the two instruments pushed as they are at times to the limits of the possible, the ...
for 2 flutes, violin, cello, guitar and 2 bandoneons: revised as Valeria in 1969 Chamber music: 1965, 1969: ヴァレリア: Valeria: for violin, cello, guitar, electronic organ and 2 piccolos: revised version of Sonant (1965) Chamber music: 1966: 悲歌: Hika (Elegy) for violin and piano: Chamber music: 1966: エクリプス<蝕> Eclipse: for ...
The strings are stretched across the body, raised from it by means of a bridge, or koma (駒), which rests directly on the taut skin. The lowest string is purposefully laid lower at the nut of the instrument in order to create a buzz, a characteristic timbre known as sawari (somewhat reminiscent of the "buzzing" of a sitar, which is called Jivari).
The album features many talented guest musicians and arrangers based in New York city. With instruments such as Pipa, (Chinese Plucking instrument) Shamisen, (Japanese Guitar) Shakuhachi (Japanese flute) and an entire live orchestra recording feature in the album, with strings arranged and produced by Costa Rican Andres Marin.
String Trio (1965) Three Movements for Two Kotos and Jūshichi-gen (1966) Seven Inventions for Guitar and Six Players (1967) Sonata for Violin and Piano (1967) Duo concertante for Shakuhachi and Koto (1968) Three Movements for Cello Solo (1969) Sonata for Four Players (1970) Trio for H.R.S. '70 for Flute, Violin and Harpsichord (1970)
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).
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