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John's disciples tell him that Jesus is also baptizing people, more than John it seems (John 3:26: "everybody is going to Him"). John replies that "A man can receive only what is given him from heaven. You yourselves can testify that I said, 'I am not the Christ, but am sent ahead of him'. The bride belongs to the bridegroom. The friend who ...
The First Epistle of John stands out from the others due to its form, but they're united by language, style, contents, themes, and worldview. [9] The Second and Third Epistles of John are composed as regular greco-roman letters, with greetings and endings, while the First Epistle of John lacks such characteristic markings and instead resembles a sermon or an exhoratory speech.
Irenaeus in Adversus Haereses 3.16.8 (written c. 180), quotes 2 John 7 and 8, and in the next sentence 1 John 4:1, 2, but does not distinguish between 1 and 2 John; he does not quote from 3 John. [46] The Muratorian Canon seems to refer to two letters of John only, [47] though it is possible to interpret it as referring to three.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
John 1:18. ο μονογενης υιος (the only-begotten son) – A C 3 K X Δ Θ Π 063 0234 f 1,13 28 565 700 892 1009 1010 1071 1079 1195 1216 1230 1241 1242 1253 1344 1365 1546 1646 2148 Byz, syr c Georgian mss. of Adysh (9th century) ο μονογενης θεος (the only-begotten God) – 饾敁 75 讗 c 33 cop bo μονογενης ...
Sermon 18*: The Marks of the New Birth - John 3:8; Sermon 19*: The Great Privilege of those that are born of God - 1 John 3:9; Sermon 20: The Lord our Righteousness - Jeremiah 23:6; Sermon 21*: Upon Our Lord's Sermon on the Mount: Discourse One - Matthew 5:1-4; Sermon 22*: Upon Our Lord's Sermon on the Mount: Discourse Two - Matthew 5:5-7
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God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man .
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