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In paradisum deducant te angeli; in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Jerusalem. Chorus angelorum te suscipiat, et cum Lazaro quondam paupere æternam habeas requiem. "May the angels lead you into paradise; may the martyrs receive you at your arrival and lead you to the holy city Jerusalem.
In paradisum. The text of the last movement is taken from the Order of Burial. "In paradisum deducant angeli" (May angels lead you to paradise) rests on a continuous shimmering motion in fast broken triads in the orchestra. The sopranos sing a rising expressive melody, enriched by chords of the other voices, divided in six parts, on the final ...
Note that the Libera Me and the In Paradisum are not part of the text of the Catholic Mass for the Dead itself, but a part of the burial rite that immediately follows. In Paradisum was traditionally said or sung as the body left the church, and the Libera Me is said/sung at the burial site before interment. These became included in musical ...
In 1820 a funeral march and a motet In Paradisum were added. In 1834 the work was prohibited by the archbishop of Paris because of its use of women's voices, [ 4 ] and in 1836 Cherubini wrote a second Requiem in D minor for men's chorus to be performed at his own funeral.
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
Im pretty sure its the words around the circle, "Omnes una manet nox. Dum spiro, spero. Per angusta ad agusta. Per aspera ad paradisum" which im pretty sure mean the cult chant given by the scientists to Dear Leader: "Sufferance on the surface is our sustenance. Through difficulties to honors. Through hardships to paradise".
Urdu in its less formalised register is known as rekhta (ریختہ, rek̤h̤tah, 'rough mixture', Urdu pronunciation:); the more formal register is sometimes referred to as زبانِ اُردُوئے معلّٰى, zabān-i Urdū-yi muʿallá, 'language of the exalted camp' (Urdu pronunciation: [zəbaːn eː ʊrdu eː moəllaː]) or لشکری ...
In Persian, Turkic, and Urdu ghazals, the radīf (from Arabic رديف; Persian: ردیف; Azerbaijani: rədif; Turkish: redif; Urdu: ردیف; Uzbek: radif) is the word which must end each line of the first couplet and the second line of all the following couplets. [a] It is preceded by a qafiya, which is the actual rhyme of the ghazal. [1] [2 ...