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This is a list of types of spears found worldwide throughout history. Used equally in melee and thrown. Migration Period spear; Normally melee. ...
In a list of the top 100 team names, "Indians" is 14th, "Braves" is 38th, "Chiefs" is 57th. [1] The typical logo is an image of a stereotypical Native American man in profile, wearing a Plains Indians headdress; and are often cartoons or caricatures. Other imagery include dreamcatchers, feathers, spears, and arrows.
The most commonly taught weapons in the Indian martial arts today are types of swords, daggers, spears, staves, cudgels, and maces. [53] Weapons are linked to several superstitions and cultural beliefs in the Indian subcontinent. Drawing a weapon without reason is forbidden and considered by Hindus to be disrespectful to the goddess Chandika ...
3rd or 4th century CE Kamasutra, Vatsyayana, 13th-century Jayamangala commentary of Yashodhara, Bendall purchase 1885 CE.Kamasutra elaborate the idea of Shadanga. [6]The concept of the Six Limbs of Indian Painting, or Ṣaḍaṅga, finds its roots in ancient Indian texts and treatises on art and aesthetics, reflecting a holistic approach to artistic creation.
Spear-armed hoplite from Greco-Persian Wars. A spear is a polearm consisting of a shaft, usually of wood, with a pointed head.The head may be simply the sharpened end of the shaft itself, as is the case with fire hardened spears, or it may be made of a more durable material fastened to the shaft, such as bone, flint, obsidian, copper, bronze, iron, or steel.
The earliest references to the chakram come from the fifth century BCE Indian epics Mahabharata and Ramayana, where the Sudarshana Chakra is the weapon of the god Vishnu. Contemporaneous Tamil poems from the second century BCE record it as thikiri (திகிரி). Chakra-dhāri ("chakram-wielder" or "disc-bearer") is a name for Krishna.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk.Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and at times eastern Afghanistan.
There was also a genre of drawings with some colour using marbling effects in the bodies of horses and elephants. [34] Apart from elephants, studies of animals or plants were less common in the Deccan than in Mughal painting, and when they occur they often have a less realistic style, with a "fanciful palette of intense colors". [35]