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The sousaphone (/ ˈ s uː z ə f oʊ n / SOO-zə-fohn) is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads ...
Some marching tubas are made only for marching, and cannot be converted into a concert model. Most marching bands opt for the sousaphone, an instrument that is easier to carry since it was invented specifically for this and almost always cheaper than a true marching tuba. [15]
The sousaphone is a specialized version of the helicon. The first sousaphone, a non-production prototype made by J. W. Pepper & Son, Inc., had an upright bell, hence the nickname "rain catcher" because of its shape.
Actually, a sousaphone is a type of tuba. A sousaphone is easier to carry and is used for marching. Don't get too obsessed with the difference. Jimmy Kimmel will make fun of you. And don't drop a ...
Sousaphone. Marching brass instruments are brass instruments specially designed to be played while the player is moving. Not all instruments have a corresponding marching version, but many do, including the following: French horn (replaced by the mellophone) Baritone (replaced by the marching baritone or bass trumpet)
The first instrument of this sort was designed by Parisian instrument maker Adolphe Sax. [1] He built a bourdon saxhorn in 52′ E♭ and exhibited it at the Paris Exposition Universelle of 1867, although there is evidence that it was in fact built some years earlier, and possibly appeared at the 1851 Great Exhibition in London.
Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
Although described in Adolphe Sax's patent in 1846, a practical, playable subcontrabass saxophone did not exist until the 21st century. [2] An oversized saxophone that might have qualified was built as a prop circa 1965; it could produce tones, but its non-functional keywork required assistants to manually open and close the pads, and it was reportedly incapable of playing a simple scale.
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