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The term window shutter includes both interior shutters, used on the inside of a house or building, and exterior shutters, used on the outside of a structure. On some styles of buildings it is common to have shutters to cover the doors as well as the windows.
A common composition is three lights beneath two circles and a third at the point of the arch; [6] such an example can be seen along the aisle at Lincoln Cathedral Also at Lincoln Cathedral, the east window is an expanded version of this idea with two interior arches, a total of eight lower lights, four small circular lights topped with two ...
A window at Bourges Cathedral showing carpenters, barrel makers and wheelwrights (lower panels) the windows' likely sponsors. Bishops, like Maurice de Sully of Notre-Dame de Paris, usually contributed a substantial sum. Wealthy parishioners were invited to give a percentage of their income or estate in exchange for the right to be buried under ...
The monk Theophilus Presbyter described glass-production in minute detail early in the 12th century in his treatise Schedula diversum artium - the glass-painter was to trace the composition of a window on a panel of bleached wood, before cutting the glass sections on it and finally painting and assembling them. [13]
Above the window the flat surface of the arch remained without ornamentation or was pierced by small round windows. Romanesque art used, in addition to windows enclosed by the round arch, others surrounded by the trefoil or fan-arch, and even openings for light entirely Baroque in design, with arbitrarily curved arches.
In western France, the change in style came later, not beginning until 1245–1250. At Le Mans Cathedral, the windows became more geometric, and the figures were reduced in size. Between 1255 and 1260 another new tendency appeared in French windows; large panels surrounding the colored figures were filled with grisaille, or grey or white glass.
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