Search results
Results from the WOW.Com Content Network
In these pamphlets Voltaire expresses many themes, including primarily his arguments against other recent pamphlets that had discussed religious miracles. Voltaire, in his responses found it ridiculous that God would occasionally violate natural laws for a particular reason. Voltaire's first pamphlet was published in July 1765, and during the ...
The town would adopt his name, calling itself Ferney-Voltaire, and this became its official name in 1878. [100] Early in 1759, Voltaire completed and published Candide, ou l'Optimisme (Candide, or Optimism). This satire on Leibniz's philosophy of optimistic determinism remains Voltaire's best-known work.
The author, Voltaire. The Dictionnaire philosophique (Philosophical Dictionary) is an encyclopedic dictionary published by the Enlightenment thinker Voltaire in 1764. The alphabetically arranged articles often criticize the Roman Catholic Church, Judaism, Islam, and other institutions.
1. “Better is the enemy of good.” 2. “I cannot imagine how the clockwork of the universe can exist without a clockmaker.” 3. “Let us read, and let us dance; these two amusements will ...
Voltaire had this correspondence published in every future edition of the play, which aided its publicity. [9] Napoleon, during his captivity on Saint Helena, criticised Voltaire's Mahomet, and said Voltaire had made him merely an impostor and a tyrant, without representing him as a "great man": Mahomet was the subject of deep criticism ...
Jesus (/ ˈ dʒ iː z ə s /) is a masculine given name derived from Iēsous (Ἰησοῦς; Iesus in Classical Latin) the Ancient Greek form of the Hebrew name Yeshua (ישוע). [ 1 ] [ 2 ] As its roots lie in the name Isho in Aramaic and Yeshua in Hebrew, it is etymologically related to another biblical name, Joshua .
The Apotheosis of Voltaire led by Truth and crowned by Glory, Ferney version. The Apotheosis of Voltaire led by Truth and crowned by Glory (French: “l’Apothéose de Voltaire conduit par la Vérité et couronné par la Gloire”), also known as “The Triumph of Voltaire” (French: Le Triomphe de Voltaire) is a 1775 oil painting by Alexandre Duplessis.
Voltaire's critique concerns not the nature of the Pascalian wager as proof of God's existence, but the contention that the very belief Pascal tried to promote is not convincing. Voltaire hints at the fact that Pascal, as a Jansenist, believed that only a small, and already predestined, portion of humanity would eventually be saved by God.