Search results
Results from the WOW.Com Content Network
The title El Gran Cabrón (The Great He-Goat) was given by painter Antonio Brugada (1804–1863). [9] The Basque term for a Witches' Sabbath, akelarre, is the source of the Spanish title Aquelarre and a derivation of akerra, the Basque word for a male goat, which may have been combined with the word larre ("field") to arrive at akelarre. [10]
Witches' Sabbath 1821–1823, 140cm × 438cm, Museo del Prado. Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823).
On the left: Witches' Sabbath (The Great He-Goat) The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Learn more fascinating facts about cheetahs by watching this video! Even though the Cheetah is capable of reaching speeds up to 60 mph among other athletic feats – their inability to roar keeps ...
Between 1819 and 1823, when he left the house to move to Bordeaux, Goya produced a series of 14 paintings using mixed technique on the walls of the house. [ 3 ] Although he initially decorated the rooms of the house with more inspiring images, in time he painted over them all with the intensely haunting pictures known today as the Black Paintings .
When he was at Pacific Union College in the 1980s, Wilcox liked to visit a Russian great-uncle who owned goats. Wilcox would drink the goat milk. Decades later, Wilcox would buy his first goat.
The dog is practically the goat's foster mother. And a video of their sweet relationship is absolute perfection. Bristol has such a big heart. She saw the lonely goat and took the animal under her ...
Charles IV of Spain and His Family is an oil-on-canvas group portrait painting by the Spanish artist Francisco Goya.He began work on the painting in 1800, shortly after he became First Chamber Painter to the royal family, and completed it in the summer of 1801.