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The Cyclone has a scale of 24.75 inches (the same as a Gibson Les Paul but an unusual intermediate size for Fender), and a Fender Stratocaster-style synchronized tremolo. The original Cyclone used an Atomic humbucking pickup in the bridge , a Tex-Mex pickup in the neck position, and a conventional 3-way toggle switch.
Fender floating tremolo on a Jazzmaster. The floating tremolo was designed by Fender for the Fender Jazzmaster, and first appeared with the release of the Jazzmaster in 1958. A larger, heavier and more complex vibrato mechanism than the synchronized tremolo and promoted over it by Fender as their premium "tremolo arm" mechanism, it never ...
Earliest references to DeArmond's tremolo unit date to 1941. [2] Starting in the 1950s many companies began incorporating the effect into guitar amplifiers, including the Fender Tremolux and Vibrolux: Leo Fender marked the effect on Fender amplifiers as "vibrato", conversely calling the vibrato arm on his Fender Stratocaster a tremolo arm. [3]
The STRAT featured a hotter bridge pickup, marketed by Fender as the X-1. The controls and hardware were gold plated and included a uniquely massive synchronized tremolo. There was no standard neck for The STRAT, but three shapes were available: C, D, and U. Some colors featured matched headstock painting.
Bigsby B50 Tremolo Hardware. The Bigsby vibrato tailpiece (or Bigsby for short) is a type of mechanical vibrato device for electric guitar designed by Paul Bigsby and produced by the Bigsby Electric Guitar Company [citation needed] (currently an independently operated subsidiary of Fender Musical Instruments Corporation). The device allows ...
The Fender Contemporary Telecaster models used the same tremolo systems as the Fender Contemporary Stratocaster models. Black Francis used a Fender Contemporary Telecaster in the Pixies and Neal Schon played a Contemporary Stratocaster in the music video for Journey's Separate Ways , also the band's first ever video.
Two such guitars which were custom built for Eric Clapton came with a traditional '50s era-style maple neck and a hardtail non-tremolo bridge. In many respects, the Elite series certainly outlined the renewed innovating capacities of Fender but in an otherwise fairly conservative guitar world it did not prove a milestone as anticipated.
Later during this tour, Fender presented Clapton with one of the first 57 reissue strats. [6] In 1985, Dan Smith approached Clapton to discuss a plan to create a signature guitar built to his own specifications. Clapton asked Fender to make a guitar with the distinctive V-shape neck of his Martin acoustic as well as a "compressed" pickup sound ...
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