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Məʃarɑn wruɳa Məʃarɑn wruɳa 'Elder brothers' Class 2 Class 2 adjectives can end in either a consonant or a stressed schwa. Except for the masculine singular ablative and vocative suffixes, the suffixes of Class II are inherently stressed. These stressed suffixes are the chief difference between Class 1 and Class 2, although there are a few differences in suffix shape as well. Whether a ...
Pashto syllable structure can be summarized as follows; parentheses enclose optional components: (C 1 C 2 (C 3)) (S 1) V (S 2) (C 4 (C 5)); Pashto syllable structure consists of an optional syllable onset, consisting of one or two consonants; an obligatory syllable nucleus, consisting of a vowel optionally preceded by and/or followed by a semivowel; and an optional syllable coda, consisting of ...
Central Pashto (Pashto: منځنۍ پښتو, romanized: Manźanəi Pax̌to) is a standard variety of the Pashto language, spoken in parts of Pakistan and Afghanistan. They are the middle dialects of Mangal, Zadran, Mahsudi and Waziri. [2] [3] These dialects are affected by what Ibrahim Khan terms as "the Great Karlāṇ Vowel Shift". [4
Pashto employs the Pashto alphabet, a modified form of the Perso-Arabic alphabet or Arabic script. [106] In the 16th century, Bayazid Pir Roshan introduced 13 new letters to the Pashto alphabet. The alphabet was further modified over the years. The Pashto alphabet consists of 45 to 46 letters [107] and 4 diacritic marks. Latin Pashto is also used.
The Pashto alphabet (Pashto: پښتو الفبې, romanized: Pəx̌tó alfbâye) is the right-to-left abjad-based alphabet developed from the Perso-Arabic script, used for the Pashto language in Pakistan and Afghanistan.
The second Pashto film was made in 1960 and its story was a translation of an Urdu film, Nai Kiran (new ray). The dialogues of the film were written by Mir Hamza Shinwari. It was displayed at Novelty cinema, Peshawar. Pashto's 3rd film was the 1963 Tiga, also made by Mir Hamza Shinwari. The hero of the film was Umer Daraz, while Ludeel was the ...
Tappa (Pashto: ټپه) is the oldest and most popular genre of the Pashto poetry. The Tappa is a composition of two unequal meters, in which the first line is shorter than the succeeding one, yet it reflects all human feelings and aspirations elegantly. Be it laborers, peasants, or women, all sentiments find expression in the Tappa.
Pata Khazāna (Pashto: پټه خزانه, lit. 'Hidden Treasure') is the title of a manuscript written in the Pashto language. According to its discoverer, the script contains an anthology of Pashto poetry, which precedes the earliest known works of Pashto literature by hundreds of years.