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The Virtuoso Pianist ( Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists. First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon's most well-known work, and is ...
Finger substitution is a playing technique used on many different instruments, ranging from stringed instruments such as the violin and cello to keyboard instruments such as the piano and pipe organ. It involves replacing one finger which is depressing a string or key with another finger to facilitate the performance of a passage or create a ...
A five-finger exercise is a musical composition designed primarily to exercise all five fingers of the hand. A typical example is Hanon's The Virtuoso Pianist in 60 Exercises. Chopin wrote a number of études (studies) that are widely regarded as musical compositions to train musical ability and dexterity of the fingers, with his Op.10 and Op.25.
Dermatophagia. Dermatophagia (from Ancient Greek δέρμα — lit. skin and φαγεία lit. eating) or dermatodaxia (from δήξις, lit. biting) [3] is a compulsion disorder of gnawing or biting one's own skin, most commonly at the fingers. This action can either be conscious or unconscious [4] and it is considered to be a type of pica.
In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without ...
Three-hand effect. The three-hand effect (or three-hand technique) is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers.
Étude Op. 10, No. 2, in A minor, is a technical study composed by Frédéric Chopin for the piano. It was preceded by a relative major key. Composed in November 1829, [1] it was first published in 1833 in France, [2] Germany, [3] and England. [4] This étude is an exercise in developing the independence of the weaker fingers of the right hand ...
On the quieter passages of "Bitches Brew", for example, Davis's voice is audible giving instructions to the musicians, snapping his fingers to indicate tempo, telling the musicians to "Keep it tight" in his distinctive voice, or instructing individuals when to solo — e.g., saying "John" during the title track. "John McLaughlin" and "Sanctuary ...
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