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More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
This chart only displays down to C 0, though some pipe organs, such as the Boardwalk Hall Auditorium Organ, extend down to C −1 (one octave below C 0). Also, the fundamental frequency of the subcontrabass tuba is B ♭ −1 .
Pages in category "Singers with a four-octave vocal range" The following 54 pages are in this category, out of 54 total. This list may not reflect recent changes .
The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range [ 3 ] refers to the pitches produced by an instrument, while the written range [ 3 ] refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience.
Printable version; In other projects Wikidata item; Appearance. ... Singers with a four-octave vocal range (54 P) Singers with a five-octave vocal range (6 P)
The general vocal range of an adult female soprano is C 4 –C 6 (highlighted), with notes unreachable by an average Treble marked in red (B 5 –C 6).. Most trebles have a comfortable range from the A below "middle C" (A 3, 220 Hz) to the F one and a half octaves above "middle C" (F 5, 698 Hz), [10] roughly corresponding to an adult male baritone range, up one octave.
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Successful non-classical baritones display a wide range of vocal qualities and effects that lend a unique character to their voices, many of which are considered undesirable in the operatic or classical baritone singer, such as "breathy" , [3] "distinguished…crooner" , [4] "growling" (Neil Diamond), [5] and even "ragged" (Bruce Springsteen).