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Successive seventh chords starting with a secondary dominant: V 7 /V (II 7)–V 7 –I, in this case G 7 –C 7 –F). Note the chromatic voice leading (B ♮ –B ♭ –A), and that the F in the first chord is 27.26 cents lower than the F in the third chord. Play ⓘ barbershop seventh chord. A chord consisting of the root, third, fifth, and ...
What sets barbershop apart from other musical styles is the predominant use of the dominant-type seventh chords. Barbershop music also features a balanced, symmetrical form and a standard meter. The basic song and its harmonization are embellished by the arranger to provide appropriate support of the song's theme and to close the song effectively.
Barbershop arrangements stress chords and chord progressions that favor "ringing", at the expense of suspended and diminished chords and other harmonic vocabulary of the ragtime and jazz forms. The dominant seventh-type chord is so important to barbershop harmony that it is called the "barbershop seventh".
One of them has earned the name barbershop seventh, or super-seventh, meaning a chord containing notes with exact frequency ratios of 4–5–6–7. We don’t know what the hell any of this means ...
The harmonic seventh is also expected from barbershop quartet singers, when they tune dominant seventh chords (harmonic seventh chord), and is considered an essential aspect of the barbershop style. [15] [16] [c] [17] Origin of large and small seconds and thirds in harmonic series. [18]
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Cristiano Ronaldo backed his old club Real Madrid and former rival Manchester City to return to the peak of their powers, as the two European giants approach the midpoint of what has been a ...
For example, the greater just minor seventh, 9:5 (Play ⓘ) is a 5-limit ratio, the harmonic seventh has the ratio 7:4 and is thus a septimal interval. Similarly, the septimal chromatic semitone, 21:20, is a septimal interval as 21÷7=3. The harmonic seventh is used in the barbershop seventh chord and music.