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Letter cutting is a form of inscriptional architectural lettering closely related to monumental masonry and stone carving, often practised by artists, sculptors, and typeface designers. Rather than traditional stone carving, where images and symbols are the dominant features, in letter cutting the unique skill is "meticulous setting out and ...
A process is in place to consider approving additional religious or belief system emblems requested by the families of individuals eligible for these headstones and markers. [ 9 ] Each emblem is given its official USVA name and designation, with added additional links for related symbolism (*) and for related movements (†).
For a genealogist, a gravestone rubbing may become a permanent record of death when a gravestone is rapidly deteriorating. Gravestone rubbing can be used to teach about local history. The stone's condition, art, and inscription can tell what was going on in an area at a specific time.
Chisels for cutting - such as lettering chisels, points, pitching tools, and claw chisels. Chisels, in turn, may be handheld and hammered or pneumatic powered. Diamond tools which include burrs, cup wheels, and blades mounted on a host of power tools. These are used sometimes through the entire carving process from rough work to the final finish.
Both Matthew and George Griswold would continue carving both walled tomb-style markers and normal headstones until the end of the 17th century. When inscriptions began to be used, they were at first brief, factual and typically carved with "interruptive punctuation", that is an interpunct (raised period), between each word. [3]
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In German the word Grabplatte (literally "grave panel") is used for flat slabs but can also refer to slabs vertically attached on walls of churches and graveyards, and often to plain stone panels covering graves in cemeteries as well.