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Running Out of Time (Imanol Uribe, 1994) [11] The Day of the Beast (Álex de la Iglesia, 1995) [31] Nobody Will Speak of Us When We're Dead (Agustín Díaz Yanes, 1995) [32] Mouth to Mouth (Manuel Gómez Pereira, 1995) [33] Stories from the Kronen (Montxo Armendáriz, 1995) [34] África (Alfonso Ungría, 1996) [35] Thesis (Alejandro Amenábar ...
M. Madregilda; Madrid, 1987; Magical Girl (film) Manticore (2022 film) Maravillas (film) Martín (Hache) Matador (film) May God Save Us; May I Speak with the Enemy?
Padre no hay más que uno 5: Santiago Segura (director/screenplay); Marta González de Vega [] (screenplay); Santiago Segura, Toni Acosta, Martina D’Antiochia, Calma Segura [], Luna Fulgencio, Carlos G. Morollón, Sirena Segura [], Blanca Ramírez, Leo Harlem, Sílvia Abril, Loles León, El Cejas [], Carlos Iglesias, Marta González de Vega
By that point, Madrid was already the primary center of the industry; forty-four of the fifty-eight films released up until that point had been produced there. The rural drama La aldea maldita –The Cursed Village– (Florian Rey, 1929) was a hit in Paris, where, at the same time, Buñuel and Salvador Dalí premiered Un chien andalou.
A. Adiós, cigüeña, adiós; Advantages of Travelling by Train; África (film) Agent 077: From the Orient with Fury; Al este del oeste; Al otro barrio; Alatriste
The admissions reported below are those by the end of the year the record was set. The film may have had further admissions in future years. Until 1981, Peliculas varias (English: Various movies) was listed as the film with the most admissions with over 7 million. It was again listed at the top in 1990.
C. Cachito (film) El Calentito; Callas Forever; Calle Mayor (film) Camarón: When Flamenco Became Legend; A Candle for the Devil; The Caper of the Golden Bulls
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