Search results
Results from the WOW.Com Content Network
Traditional music is melodic, having its own unique form of harmony, often composed with a 4 4 (na-yi-se), a 2 4 (wa-let-se) or a 8 16 (wa-let-a-myan) time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song.
May La Than Zin (Burmese: မေလသံစဉ်; MLCTS: me la san. cany, also known as May Melody; born 23 May 2003) is a Burmese singer best known for her acoustic cover songs. [ 1 ] [ 2 ] Early life
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.
' The Rest Under the Shade of Mandalay Hill '), is a Burmese cultural song composed in 1947 by Burmese musician Myoma Nyein, one of the greatest musicians in Burmese classical music. [1] The song contains a description of Thingyan sense on Mandalay Hill and Nandar Lake. The song was selected as one of the greatest Thingyan theme songs of all time.
On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6] Since then, Burmese nationalist sang Dobama Song instead of God Save the King. The State of Burma, a Japanese puppet state, officially adopted the Dobama Song as its state anthem in 1943. [7]
Soe Sandar Htun (Burmese: စိုးစန္ဒာထွန်း, also spelt Soe Sandar Tun) is a Burmese classical, country, and Dhamma singer. [1] [2] A prolific singer, Soe Sandar Htun has released dozens of bestselling albums throughout her career. [2]
May Thet Htar Swe (Burmese: မေသက်ထားဆွေ; born 10 January 2003 [1]) is a traditional Burmese classical, country, and dhamma singer. [2] She began her career as a child, and is known both for her mastery of songs from the Burmese classical tradition and her musical versatility, which spans several genres.