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These two paintings belong to the tsukinami-e genre: images depicting changing landscapes through the seasons. It was not uncommon for tsukinami-e to take the form of diptychs, with the entire year represented by images of spring and autumn. [6] The pair is read from right to left, with spring preceding autumn.
"Trees" is a poem of twelve lines in strict iambic tetrameter. The eleventh, or penultimate, line inverts the first foot, so that it contains the same number of syllables, but the first two are a trochee. The poem's rhyme scheme is rhyming couplets rendered AA BB CC DD EE AA. [20]
The Chinese celebrated the pine, bamboo and plum together, for they observed that unlike many other plants these plants do not wither as the cold days deepen into the winter season. [2] Known by the Chinese as the Three Friends of Winter, they later entered the conventions of Korean, Japanese, and Vietnamese culture.
The Seasons (Lithuanian: Metai) is the first Lithuanian poem written by Kristijonas Donelaitis around 1765–1775. It is in quantitative dactylic hexameters as often used for Latin and Ancient Greek poetry. It was published as "Das Jahr" in Königsberg, 1818 by Ludwig Rhesa, who also named the poem and selected the arrangement of the parts. The ...
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The Seasons or The Four Seasons is a set of four paintings produced in 1563, 1572 and 1573 by the Italian artist Giuseppe Arcimboldo. He offered the set to Maximilian II, Holy Roman Emperor in 1569, accompanying The Four Elements. Each shows a profile portrait made up of fruit, vegetables and plants relating to the relevant season.
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From behind the conventional symbolization of waiting there emerges a picture of the life of the fisherfolk; the nets and boats drawn up on the beach, scuttling crabs and cart wheels bogged down in the sand, the odour of drying fish, cut into thick slices, which attracts the birds, beautiful village girls peering through the Pandanus hedges ...