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Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India.
Shankar engaged Western music by writing compositions for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992, he served as a nominated member of Rajya Sabha, the upper chamber of the Parliament of India. He continued to perform until the end of his life.
"Within You Without You" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Written by lead guitarist George Harrison, it was his second composition in the Indian classical style, after "Love You To", and inspired by his stay in India in late 1966 with his mentor and sitar teacher Ravi Shankar.
Khan learnt music from his father, Ashiq Ali Khan, who had learned sitar from the 19th century player Barkatullah Khan, a descendant of Masit Sen of Delhi, the inventor of the Masitkhani gat (the major style of slow musical composition in sitar playing) [1] His name became synonymous with the Senia style [2] although he may actually have practised an even more austere style than his ...
In the 1960s, Sullivan learned to play the sitar, having been inspired by attending a recording session for Indian classical musician Vilayat Khan. [7] Sullivan released an album of Indian-style recordings under his own name, Sitar Beat (1967), and one as "Lord Sitar", Lord Sitar (1968). [8] He played sitar on a musical interpretation of the ...
[1] [6] The concept initiated from a traveling sitar, which was modified by Kumar to create rock guitar sound out of it. Kumar reduced the number of strings on the instrument from 20 to five. He also added an electric pickup inside the instrument so that it would sound more like a guitar. [ 1 ]
Ishima began playing sitar at 24, after researching Gábor Szabó at the suggestion of a woman and learning that the jazz guitarist also played this instrument he had never heard of. [1] He taught himself from Ravi Shankar's 1968 book My Music, My Life, looking up the Japanese translations for the English words. [6]