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Possibly the most well-known of his short stories is "Eisenheim the Illusionist" (published in "The Barnum Museum"), based on a pseudo-mythical tale of a magician who stunned audiences in Vienna in the latter part of the 19th century. It was made into the film The Illusionist (2006). [2]
The Barnum Museum is a 1990 collection of fantasy themed short stories by Steven Millhauser. Its closing story is 'Eisenheim the Illusionist', which was filmed in 2006 as The Illusionist . Short stories
The Illusionist is a 2006 American romantic mystery film written and directed by Neil Burger and starring Edward Norton, Paul Giamatti, and Jessica Biel.Based loosely on Steven Millhauser's short story "Eisenheim the Illusionist", it tells the story of Eisenheim, a magician in turn-of-the-century Vienna, who reunites with his childhood love, a woman far above his social standing.
The Illusionist, an American period film set in Vienna "Eisenheim the Illusionist," the short story by Steven Millhauser on which the film is based; The Illusionist, a French-British animated film "The Illusionist", a 2006 song by Swedish metal band Scar Symmetry from the album Pitch Black Progress
Lord of Illusions is a 1995 American neo-noir supernatural horror film written and directed by Clive Barker, based on his own short story The Last Illusion published in 1985 in the anthology Books of Blood Volume 6. The same story introduced Barker's occult detective Harry D'Amour, who later appeared in several prose stories and comic books.
The Illusionist (French: L'Illusionniste) is a 2010 animated film written and directed by Sylvain Chomet. The film is based on an unproduced script written by French mime , director and actor Jacques Tati in 1956.
The Marvelous Orange Tree trick was used by the eponymous conjurer in Steven Millhauser's short story "Eisenheim the Illusionist" and its film adaptation The Illusionist, where a more complex variant is shown. It is also alluded to in Donald Barthelme's short story "Sentence".
The Illusionist is a 1995 novel by Irish author Jennifer Johnston, and considered one of her best works. [1] It gained positive reviews in The Irish Times , Times Literary Supplement and the New Statesman .