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Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
In Delft, Netherlands blue and white ceramics taking their designs from Chinese export porcelains made for the Dutch market were made in large numbers throughout the 17th Century. Blue and white Delftware was itself extensively copied by factories in other European countries, including England, where it is known as English Delftware .
Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo (Portuguese: [ɐzuˈle(j)ʒu, ɐzuˈlɐjʒu], Spanish:; from the Arabic الزليج, al-zillīj) [1] [2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
The earliest datable objects are blue-and-white border tiles that decorate the mausoleum in Bursa of Şehzade Mahmud, one of the sons of Bayezid II, who died in 1506–1507. [ 43 ] [ 44 ] The term 'Abraham of Kütahya ware' has been applied to all the early blue-and-white Iznik pottery as the 'Abraham of Kütahya' ewer, dating from 1510, is the ...
Laumans roof tile works was located in the area around Tegelen. Quirinus and Caspar Laumans took over the business from one of the small manufacturers in 1864. Production started with 6 tile makers, 2 kilns, and 1 horse and wagon, at approximately 200.000 roof tiles a year (mainly pantiles).
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
All three represent distinctly Dutch (Netherlands-German) styles using "H-frame" for construction, wood clapboard, large rooms, double hung windows, off set front entry doors, sharply sloped roofs, and large "open" fireplaces. Often there is a hipped roof, or curved eves, but not always. Barns in the Dutch-German fashion share the same attributes.
View of Haarlem with Bleaching Fields (c. 1670–1675) is an oil on canvas painting by Dutch landscape painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and Haarlempjes, a specific style of Dutch landscape painting that focuses on views of Haarlem. [1]
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