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In Navajo religious belief, a chindi (Navajo: chʼį́įdii) is the miasma left behind after a person dies, believed to leave the body with the deceased's last breath.It is everything that was negative about the person’s life; pain, fear, anger, disappointment, dissatisfaction, resentment, and rejection as the "residue that man has been unable to bring into universal harmony". [1]
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep or commercial wool. Designs can be pictorial or abstract, based on traditional Navajo, Spanish, Oriental, or Persian designs. 20th-century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
In Navajo weaving, the slit weave technique common in kilims is not used, and the warp is one continuous length of yarn, not extending beyond the weaving as fringe. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs. Textiles with representational imagery are called pictorial.
Silversmithing technologies rapidly spread to other tribes. Southwest silverwork includes designs of channel inlay, cluster, mosaic, and petite point and materials of shell, gemstones and beads. While the Navajo favored the squash blossom necklace, they often also combined turquoise, coral, and other semi-precious gemstones. Stones were set ...
Frank Austin, Navajo (1938–2017) Amos Bad Heart Bull (Tatanka Cante Sica), Oglala Lakota Sioux; Margarete Bagshaw, Santa Clara Pueblo-descent (1964–2015) Rick Bartow, Wiyot (1946–2016) Stanley Battese, Navajo (born 1936) Fred Beaver , Muscogee Creek/Seminole (1911–1980) Clifford Beck, Navajo (1946–1995) Timothy Bedah, Navajo (1945–2017)
Mary Holiday Black (c. 1934 – December 13, 2022) was a Navajo basket maker and textile weaver from Halchita, Utah. [2] During the 1970s, in response to a long-term decline in Navajo basketry, Black played a key role in the revival of Navajo basket weaving by experimenting with new designs and techniques, pioneering a new style of Navajo baskets known as "story baskets."
Navajo weaver with sheep Navajo Germantown Eye Dazzler Rug, Science History Institute Probably Bayeta-style Blanket with Terrace and Stepped Design, 1870–1880, 50.67.54, Brooklyn Museum. Navajos came to the southwest with their own weaving traditions; however, they learned to weave cotton on vertical looms from the Pueblo peoples.
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