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The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
George Augustus Auden (father) John Bicknell Auden (brother) Wystan Hugh Auden (/ ˈwɪstənˈhjuːˈɔːdən /; 21 February 1907 – 29 September 1973 [ 1 ]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form ...
And death shall have no dominion. " And death shall have no dominion " is a poem written by Welsh poet Dylan Thomas (1914–1953). The title comes from St. Paul 's epistle to the Romans (6:9): "Christ being raised from the dead dieth no more; death hath no dominion over him." [1] The poem was written on the subject of 'Immortality'.
Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory.
Crossing the Bar. " Crossing the Bar " is an 1889 poem by Alfred, Lord Tennyson. It is considered that Tennyson wrote it in elegy; the narrator uses an extended metaphor to compare death with crossing the "sandbar" between the river of life, with its outgoing "flood", and the ocean that lies beyond death, the "boundless deep", to which we return.
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The Hymn of Joy. " The Hymn of Joy " [1] (often called " Joyful, Joyful We Adore Thee " after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven 's final symphony, Symphony No. 9. [2]
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