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The Spirit of the Age (full title The Spirit of the Age: Or, Contemporary Portraits) is a collection of character sketches by the early 19th century English essayist, literary critic, and social commentator William Hazlitt, portraying 25 men, mostly British, whom he believed to represent significant trends in the thought, literature, and politics of his time.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
William Wordsworth (7 April 1770 – 23 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English ...
In Wordsworth's time, epiphanies had not yet been given that term and were referred to by Wordsworth as "spots of time." [30] There is agreement that the modern literary device we call "epiphany" began with Romanticism and in particular with the works of William Wordsworth. Wordsworth's innovation of "spots of time" in his poems have affected ...
The self-concept is distinguishable from self-awareness, which is the extent to which self-knowledge is defined, consistent, and currently applicable to one's attitudes and dispositions. [4] Self-concept also differs from self-esteem: self-concept is a cognitive or descriptive component of one's self (e.g. "I am a fast runner"), while self ...
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...