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An inscription found on a stone stele (c. 340 BC), found at Delphi, contains a paean to Dionysus, which describes the travels of Dionysus to various locations in Greece where he was honored. [40] From Thebes , where he was born, he first went to Delphi where he displayed his "starry body", and with "Delphian girls" took his "place on the folds ...
Bacchus (1496–1497) [1] is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo.The statue is somewhat over life-size and represents Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness.
Bacchus is seen here after recent restoration work. Colors closer to original and details are better visible again. Bacchus, originally Saint John the Baptist, is a painting in the Musée du Louvre, Paris, France, by the Italian Renaissance artist Leonardo da Vinci and Francesco Melzi, while in Leonardo's workshop.
The various colours of the violet (red, purple, white) changed on account of Io's life, red for the blushing maiden, purple for the cow, white for the stars. [ 17 ] [ 18 ] [ 19 ] Hera then sent Argus Panoptes , a giant who had 100 eyes, to watch Io and prevent Zeus from visiting her, and so Zeus sent Hermes to distract and eventually slay Argus.
In an almost identical line (X.391) that suggests a formulaic expression, Achilles tells the Myrmidons to sing the paean after the death of Hector. [5] To discover the relation between Paean or Paeon, the healer-god, and paean in the sense of "song", it is necessary to identify the connection between ritual chant and the shaman's healing arts. [6]
The entrance to the Temple of Bacchus in the 1870s Corinthian capitals ornamenting the columns of the Temple of Bacchus in Baalbek. The temple is 66 m long, 35 m wide and 31 m high, making it only slightly smaller than the Temple of Jupiter. [5] The podium on which the temple sits is on an East-West axis.
The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
The Triumph of Bacchus and Ariadne. Prominently displayed in the center panel, the Triumph of Bacchus and Ariadne depicts a both riotous and classically restrained procession which ferries Bacchus and Ariadne to their lovers' bed. Here, the underlying myth is that Bacchus, the god of wine, had gained the love of the abandoned princess, Ariadne.