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Classificatory disputes about art. Claude Monet, Impression, soleil levant (Impression, Sunrise), 1872, oil on canvas, Musée Marmottan Monet. Art historians and philosophers of art have long had classificatory disputes about art regarding whether a particular cultural form or piece of work should be classified as art.
The object is created by a single artisan or team of artisans. The craft-person works within an established cultural framework. The folk art has a recognizable style and method in crafting its pieces, which allows products to be recognized and attributed to a single individual or workshop.
The Protestant Reformation was a religious movement that occurred in Western Europe during the 16th century that resulted in a divide in Christianity between Roman Catholics and Protestants. This movement "created a North-South split in Europe, where generally Northern countries became Protestant, while Southern countries remained Catholic."
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles [1] and subsequently spread across the British Empire and to the rest of Europe and America. [2] Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions ...
Michaels Stores, Inc., more commonly known as Michaels, is a privately held chain of American and Canadian arts and crafts stores. It is North America's largest provider of arts, crafts, framing, floral and wall décor, and merchandise for makers and do-it-yourself home decorators. [2] The company is part of The Michaels Companies, founded in ...
Hobby Lobby smuggling scandal. The Hobby Lobby smuggling scandal started in 2009 when representatives of the Hobby Lobby chain of craft stores received a large number of clay bullae and tablets originating in the ancient Near East. The artifacts were intended for the Museum of the Bible, funded by the Evangelical Christian Green family, which ...
v. t. e. Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. [2]
At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of the artist.