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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
The compositions and the mythological content are close to those of the Darius Painter, and the influences can be seen in his depictions of robes and faces. Other subjects include Hades kidnapped Persephone, Eos kidnapped Cephalus, and Castor and Pollux abducting the daughters of Leucippus. In the first two vases he is quite free in his ...
Metropolitan Museum of Art. The Persephone Painter, working from about 475 to 425 BCE, is the pseudonym of an ancient Attic Greek vase painter, named by Sir John Beazley after investigating a red-figure bell-krater vase of about 440 BC, which includes a mythological scene of the return of Persephone from Hades.
The painting has inspired two National Film Board of Canada animated shorts. It is the actual backdrop for Norman McLaren's "A Little Phantasy on a 19th-century Painting" (1946). Animator Craig Welch has stated that both the painting and McLaren's film were inspirations for his 1996 short How Wings Are Attached to the Backs of Angels. [17]
The famous and distinctive style of Greek vase-painting with figures depicted with strong outlines, with thin lines within the outlines, reached its peak from about 600 to 350 BC, and divides into the two main styles, almost reversals of each other, of black-figure and red-figure painting, the other colour forming the background in each case ...
Dante and Virgil in Hell is an 1850 oil-on-canvas painting by the French academic painter William-Adolphe Bouguereau. It is in the Musée d'Orsay in Paris. [1] The painting depicts a scene from Dante's Divine Comedy, which narrates a journey through Hell by Dante and his guide Virgil. In the scene the author and his guide are looking on as two ...