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Piano Concerto No. 1 in B ♭ minor, Op. 23 (1874–75) Sérénade mélancolique, Op. 26, for violin and orchestra (1875) Variations on a Rococo Theme for cello and orchestra, Op. 33 (1876–77) Valse-Scherzo for violin and orchestra, Op. 34; Violin Concerto in D major, Op. 35 (1878) Piano Concerto No. 2 in G major, Op. 44 (1879–80)
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major was at first conceived by him as a symphony in the same key. But he abandoned that idea, jetisoned all but the planned first movement, and reworked this in 1893 as a one-movement Allegro brillante for piano and orchestra.
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
The Third Piano Concerto, initially the opening movement of a symphony in E flat, was left on Tchaikovsky's death as a single-movement composition. Tchaikovsky also promised a concerto for cello to Anatoliy Brandukov and one for flute to Paul Taffanel but died before he could work on either project in earnest. [a 2]
Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major; Chant sans paroles, F major. The Scherzo was first performed by Nikolai Rubinstein on 27 February 1868. The conductor Max Erdmannsdörfer orchestrated Chant sans paroles, which pleased Tchaikovsky so much that he conducted it himself. [4]
Tchaikovsky had voiced his dislike for the sound of piano and orchestra while writing his Second Piano Concerto [5] with his isolating the soloist from the orchestra as much as possible. Tchaikovsky scholar David Brown notes that the middle section of the quasi Rondo of the Fantasia, written for piano solo, "was the logical goal toward which ...
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