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The song quick gained popularity, eventually earning a Gold record certification in the United States, the first for the group and label. The new musical style on the song later became known as electro. The song features simple lyrics discussing the power of music and having a fun time. After its release, the song began to get airtime on the radio.
In a reference to the most talked about band at the time of the album's release, Suede and their sexually ambiguous frontman Brett Anderson, and including a pun on "Anarchy in the U.K.", the debut single by the Sex Pistols, the review concluded, "As warm as plasma and as eerie as ectoplasm, Orbital's (out-of-)body-music is the true sound of ...
"New York '93" from Summer Song "New York After Hours" by Eddie Gale "New York Afternoon" by Richie Cole "New York and Chicago" music by Albert Von Tilzer; lyrics by Junie McCree "New York As A Muse" by Yoko Ono "New York At Night" by Kelly Marie "New York at Night" by Willie Nile "New York Avec Toi" by Téléphone "New York Avenue Bridge" by ...
"Trans-Europe Express" is a song by German electronic music band Kraftwerk. It was released as the lead single from their studio album of the same name in 1977. The long version of the song was on the original released album, is 13:44 long, and split into two (in the United States) or three parts (in Germany).
It used to be that it was considered a Herculean feat if artists dug into their back catalogs to recreate two, three or even four classic albums in their entirety for a run of back-to-back concerts.
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Sheet music for "New York, New York" from On the Town "New York, New York" is a song from the 1944 musical On the Town and the 1949 MGM musical film of the same name. The music was written by Leonard Bernstein and the lyrics by Betty Comden and Adolph Green. A well known line of this song is: New York, New York, a helluva town.
"New York, New York" (as it is sometimes simply called) was the first hit for Kenny after a number of non-charting singles in the United States. In 1978, after moving to England, the song was released. Although it only reached number 43 on the UK Singles Chart, it remained on the chart for two months. Shirley Bassey later covered the song, as ...