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Determine whether a stanza is balanced or unbalanced. Help to reinforce the feeling being expressed: If the writer wants to express stubbornness, they may use tight structured rhyme schemes, whereas if one was writing about feeling lost, then perhaps the stanza would only have one rhyme (XXAXXXA).
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
In many forms of poetry, stanzas are interlocking, so that the rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas. Examples of such interlocking stanzas include, for example, the ghazal and the villanelle, where a refrain (or, in the case of the villanelle, refrains) is established in the first ...
A verse is formally a single metrical line in a poetic composition. [1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas.
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
In a more general sense, the strophe is a pair of stanzas of alternating form on which the structure of a given poem is based, with the strophe usually being identical to the stanza in modern poetry and its arrangement and recurrence of rhymes giving it its character. But the Greeks called a combination of verse-periods a system, giving the ...
The most famous and widely used line of verse in English prosody is the iambic pentameter, [7] while one of the most common of traditional lines in surviving classical Latin and Greek prosody was the hexameter. [8] In modern Greek poetry hexameter was replaced by line of fifteen syllables. In French poetry alexandrine [9] is the
A monostich could be also titled; due to the brevity of the form, the title is invariably as important a part of the poem as the verse itself: [4] Some one line poems have "the characteristics of not exceeding one line of a normal page, to be read as one unbroken line without forced pauses or the poetics of caesura", and others have "a rhythm ...