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Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s. [1]
Devansh Patel, film critic for London's Hounslow Chronicle, gave New York five out of five, stating that it is, "the most thought provoking movie Yash Raj Films has ever come up with." [ 15 ] [ 16 ] Nikhat Kazmi of the Times of India gave it four out of five, describing New York as, "an extremely taut and highly emotive piece of political drama ...
The New York Times film critic Stephen Holden considered 13 "a blustering, bad cartoon." [11] V.A. Musetto of the New York Post criticized the film for being shot in color rather than the original's black and white, and for the addition of character back stories, "which serve only to slow the film’s momentum."
Johnny and Sarah Sullivan and their daughters Christy and Ariel enter the United States on a tourist visa from Ireland via Canada, where Johnny was working as an actor. The family settles in New York City, in a rundown Hell's Kitchen walk-up tenement occupied by drug addicts, transvestites, and a reclusive Nigerian artist/photographer named Mateo Kuamey.
Safety Not Guaranteed has a 91% approval rating on Rotten Tomatoes based on reviews from 150 critics; the average rating is 7.40/10. The site's critical consensus states: " Safety Not Guaranteed ' s ostensibly modest ambitions are outmatched by the movie's strong performances, beguiling charm, and heartfelt story."
Anthony Mackie returns to take up Captain America's shield on the big screen, but the latest Marvel movie belongs to Harrison Ford. “Captain America: Brave New World” review: Harrison Ford ...
Bosley Crowther of The New York Times gave the film a negative review, writing it is "a movie—and a pretty low-grade one, at that—in which sensations of fright and excitement are more diligently pursued than common sense." [47] Mann's success with Desperate and T-Men made him Eagle-Lion's most valuable director. [48]
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.