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Describing colors by their color terms is a denotative color task. In order to communicate colors, we generally must first convert the color into a meaningful color term or description. Anything that requires this conversion, either from color to description (color naming) or vice versa, is a denotative color task.
Denotation refers to the meaning hidden in symbols or images. A denotation is "what we see" in the picture or what is "there" in the picture. [2] According to author Clive Scott, this is another way of saying that a photograph has both a signified and a referent, is both coded and encoded.
In semiotics, signified and signifier (French: signifié and signifiant) are the two main components of a sign, where signified is what the sign represents or refers to, known as the "plane of content", and signifier which is the "plane of expression" or the observable aspects of the sign itself.
The denotative meaning of a signifier is intended to communicate the objective semantic content of the represented thing. So, in the case of a lexical word, say "book", the intention is to do no more than describe the physical object. Any other meanings or implications will be connotative meanings.
In media studies terminology, denotation is an example of the first level of analysis: what the audience can visually see on a page. Denotation often refers to something literal, and avoids being a metaphor. Here it is usually coupled with connotation which is the second level of analysis, being what the denotation represents.
The degree to which an artistic representation resembles the object it represents is a function of resolution and does not bear on the denotation of the word. For example, both the Mona Lisa and a child's crayon drawing of Lisa del Giocondo would be considered representational, and any preference for one over the other would need to be ...
A symbol depends as a sign on how it will be interpreted, regardless of resemblance or factual connection to its object; but the symbol's individual embodiment is an index to your experience of the object. A symbol is instanced by a specialized indexical sinsign.
The number is a denotative value, i.e. it speaks only for itself. The doctor, nurse or patient will relate to the number as a visual trope, in this case a metaphor, for the health of the body. Such information adds to other data forming a symptomology for the patient, a summation that takes place at a connotative cognitive level.
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