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In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...
The elbow-length sleeves were covered with tiers of lace flounces, echoing the full-sleeved chemise worn with the original style. [11] Front-wrapping thigh-length "shortgowns" or bedgowns of lightweight printed cotton fabric were fashionable at-home morning wear, worn with petticoats. Over time, bedgowns became the staple upper garment of ...
The dress featured "lace flounces adorning neckline and sleeves". [8] A replica of the dress at West Edmonton Mall, in Edmonton, Canada, in 2013. Fittings of the dress posed difficulties because Diana had developed bulimia and dropped from a size 14 to a size 10 in the months leading up to the wedding. Even the seamstress was concerned about ...
English shot (changeable) silk taffeta morning dress is trimmed with silk satin and machine-made lace, c. 1865. Los Angeles County Museum of Art, M.2007.211.942a-b. Emilie Menzel wears her hair in a net snood. Her morning dress has a pointed waist and slightly puffed, long sleeves, 1866.
The lace was not specially commissioned for the dress, but chosen from stock patterns (what was formerly known only as Sophie Hallette's "950264" is now known as "Kate's lace", however, this lace was only used for the bodice of the dress, the skirt and train are made of the Solstiss lace. Grace Kelly's wedding dress was also made from lace by ...
At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality.
The dress was an embroidered "Tudor-style" wedding dress with a high collar and "mediaeval" trumpet sleeves, [1] [5] with white silk chiffon under sleeves edged with pearls and other jewels. [6] Her veil was made of silk net embroidered with floral sprays, and her "something borrowed" was the Queen Mary Fringe tiara. [6]
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
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