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"Marche Henri IV", alternatively "Vive Henri IV" or "Vive le roi Henri", is a popular French song celebrating King Henry IV of France (also known as Le Bon Roi Henri, "Good King Henry"). The melody was heard of as early as 1581, when it was mentioned in the book of Christmas songs of Christophle de Bordeaux, under the name "Chant de la
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre.
"Le Déserteur" (French pronunciation: [lə dezɛʁtœʁ], The Deserter) is a famous anti-war song written by the French poet and musician Boris Vian. It was first performed on the day of the decisive French defeat in the First Indochina War on May 7, 1954. It was sung by Marcel Mouloudji on that day in concert, and he recorded it a week later ...
Gounod had composed two symphonies for full orchestra in the 1850s but had since then generally concentrated on opera, songs, and religious music. [1] At the request of a Parisian wind ensemble, the Société de musique de chambre pour instruments à vent [], led by the flautist Paul Taffanel, he wrote a nonet for flute and pairs of oboes, clarinets, horns and bassoons.
William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend.
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts.
View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Le Ton beau de Marot: In Praise of the Music of Language is a 1997 book by Douglas Hofstadter in which he explores the meaning, strengths, failings and beauty of translation. The book is a long and detailed examination of translations of a minor French poem and, through that, an examination of the mysteries of translation (and indeed more ...
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