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The tenth anniversary of the Broward Center was marked by retiring the entire building mortgage, 11 years ahead of schedule. In 2007, from June 28-July 1, they premiered the Go, Diego, Go! live. The Live was based on the episode titled "The Great Jaguar Rescue". The Broward Center for the Performing Arts was the last stop for the Go, Diego, Go ...
The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama. [ 9 ] [ 10 ] Its success was marked by its move to the New York State Theater, now David H. Koch Theater , designed by Philip Johnson to Balanchine's specifications.
Serenade (ballet) The Seven Deadly Sins (ballet chanté) Simple Symphony (ballet) Slaughter on Tenth Avenue; Slice to Sharp; Sonate di Scarlatti; Sonatine (ballet) La Sonnambula (Balanchine) La Source (Balanchine) Square Dance (ballet) Stars and Stripes (ballet) The Steadfast Tin Soldier (ballet) Stravinsky Violin Concerto (ballet) Suite of ...
New York City Ballet American Music Festival (9 P) C. Choreographers of New York City Ballet (1 C, 16 P) D. New York City Ballet Diamond Project (1 C, 10 P) I.
Union Jack is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to traditional British tunes, hornpipe melodies and music-hall songs, ca. 1890–1914, adapted by Hershy Kay.
Fairchild entered the School of American Ballet (SAB), the official school of New York City Ballet, in the fall of 2000. Her brother, Robert Fairchild was also a principal with the company. [ 2 ] She and her brother are both recipients of the Mae L. Wien Award at the School of American Ballet.
She moved permanently to New York at age 15, again on a Ford Foundation scholarship to the School of American Ballet. Watts joined the New York City Ballet in 1970 and was promoted to principal dancer by company co-founder George Balanchine in 1979. Balanchine took Watts into his company "because he would not let such a talent disappear ...
Glass Pieces is a ballet choreographed by Jerome Robbins to music by Philip Glass, costumes designed by Ben Benson, lighting designed by Ronald Bates and production designed by Robbins and Bates. The ballet was premiered on May 12, 1983, at the New York State Theater , performed by the New York City Ballet .