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In 1991 the Natural History Museum returned the works to the Society for valuation, and on 20 October 1993 the Society offered them for sale by auction at Sotheby's in London, where they were acquired by Goh Geok Khim, founder of the brokerage firm GK Goh, for S$3 million. Goh donated the drawings to the National Museum of Singapore in 1995.
Lim Tze Peng (Chinese: 林子平; pinyin: Lín Zǐpíng; Pe̍h-ōe-jī: Lîm Tsí-pîng, 28 September 1921 – 3 February 2025) was a Singaporean artist.He was awarded a Cultural Medallion in 2003 in recognition of his contribution to the country's art and culture.
Tan Swie Hian (simplified Chinese: 陈瑞献; traditional Chinese: 陳瑞獻; pinyin: Chén Ruì Xiàn; Pe̍h-ōe-jī: Tân Suī-hiàn) is a Singaporean multidisciplinary artist known for his contemporary Chinese calligraphy, Chinese poetry and contemporary art sculptures found in Singapore and many parts of the world.
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
Chua Mia Tee, National Language Class, 1959, Oil on canvas, 112 x 153 cm, Installation view at National Gallery Singapore Chua Mia Tee (Chinese: 蔡名智; pinyin: Cài Míngzhì; [1] born 25 November 1931) is a Chinese-born Singaporean artist known for his social realist oil paintings capturing the social and political conditions of Singapore and Malaya in the 1950s and 60s.
Wan Qing Yuan and the Chinese Revolution, a recollection by Tan Chor Lam, a book printed in the 1940s, containing records of the Tongmenghui's activities in Singapore. A work of Chinese calligraphy, bearing the Chinese characters bo ai (博愛; "universal love"), presented by Sun Yat Sen to Teo Eng Hock's nephew, Teo Beng Wan.
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Wong Keen (Chinese: 王瑾; pinyin: Wáng Jǐn, born 23 November 1942) is a Singaporean painter who was primarily trained in New York. He is known for being one of the first Singaporean artists to be educated in the United States and for his syncretic body of work that melds together the sensibilities of Chinese literati painting and the New York School. [1]
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