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A simple marble-topped washstand. A washstand or basin stand is a piece of furniture consisting of a small table or cabinet, usually supported on three or four legs, and most commonly made of mahogany, walnut, or rosewood, and made for holding a wash basin and water pitcher. The smaller varieties were used for rose-water ablutions, or for hair ...
The console was a particular type of table made to stand against a wall; it usually had a plaque of marble on top, and was richly ornamented, but only on side facing the room. In the later Louis XIV period, under the influence of Boulle, marquetry became the dominant decoration of tables.
The plain style origins of Shaker furniture connect back to the craft traditions of colonial New York and New England. The furniture brought into early Shaker society were the humble possessions of common people of the day such as farmers, mechanics, and small tradesman. In the 1790s, the total membership of the United Society totaled one thousand.
The washstands were small tables on which were placed a pitcher and a deep bowl, following the English tradition. Sometimes the table had a hole where the large bowl rested, which led to the making of dry sinks. From about 1820 to 1900, the dry sink evolved by the addition of a wooden cabinet with a trough built on the top, lined with zinc or ...
In Hints on Household Taste in Furniture, Upholstery and Other Details, Eastlake promoted Victorian style furniture which had opposed the curved features of the French Baroque Revival Styles. Instead, Eastlake style had "angular, notched and carved" features and although he did not produce any furniture himself, cabinet makers produced them. [5]
A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies.
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The tilt-top tea table on a tripod was first made during the "Queen Anne" (in reality George II) period in the 1730s. [16] Queen Anne eventually was eclipsed by the later Chippendale style; late Queen Anne and early Chippendale pieces are very similar, and the two styles are often identified with each together. [17] [18] [19] [20]