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File:A Dangerous Profession poster.jpg; File:A Date With Judy film poster.jpg; File:A Desperate Chance for Ellery Queen poster.jpg; File:A Dispatch from Reuters 1940 poster.jpg; File:A Double Life poster.jpg; File:A Gentleman at Heart poster.jpg; File:A Girl, a Guy and a Gob.jpg; File:A good time for a dime poster.jpg; File:A Guy Could Change ...
Crossword compilers, also known as cruciverbalists, crossword writers, crossword constructors, or crossword setters. Pages in category "Crossword creators" The following 104 pages are in this category, out of 104 total.
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Laura is a 1944 American film noir produced and directed by Otto Preminger.It stars Gene Tierney and Dana Andrews, along with Clifton Webb, Vincent Price, and Judith Anderson.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
William F. Rose (September 16, 1909 – May 29, 1972) was an American illustrator and film poster artist active in the 1930s and 1940s. He is recognized as one of the most distinctive poster artists of the Classical Hollywood era, a time when most film posters featured painted illustrations rather than photography.
Lobby card for The Thief of Bagdad (1940), which used new matte painting techniques for use with Technicolor. By the 1940s, Hollywood's effects specialists had over a decade of studio experience. Technicolor had been especially challenging but faster film introduced in 1939 began to make Technicolor a viable option for studio production.
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